(This is about book 3 in a series. Book 1, Valhalla, can be found here. And Book 2, Ragnarök can be found here.)
Three stars is my go to for hard to place books. So, welcome Gu… Guðsríki… Welcome to book Hell.
I had a lot, lot of problems with this book. All of Ari’s ticks in the last books that I could overlook came back in full force, leading to a very long (and very negative review). Buckle in.
Continue reading “Guðsríki’s strengths cannot overcome its weaknesses”
This is a very meh book. I didn’t particularly want it to be, but it failed me in every way. There was nothing really going on, the writing was dull, the worldbuidling was clearly making an effort but explained poorly, and nothing felt interesting, legitimate, or real.
The characters are diverse, but even in the reviews that’s all anyone can talk about. Yay for diversity! Not much to cheer about otherwise.
Continue reading “Otherbound is trying very, very hard, but just isn’t that good”
(This is a review of a free ARC I got from the publisher. As you may guess, this did not impact or change my review or review process. These opinions are my honest own.)
I hate to leave a negative review, especially for a book I’d been excited for, especially for a book by a debut author, especially for a book from an indie press… but here we are.
This book was right up my wheelhouse- wait, scratch that, it was parked in my garage. Urban fantasy? Demons? Demon-human integration? (with promise of political-social implications of that?) Beauty and the Beast type romance? Soul selling? Gothic cyberpunk? Yes. Yes please. It was on my ‘to-read’ list before I’d gotten myself an ARC.
Continue reading “A Soul To Take has a great premise, but needs a rewrite (or two)”
(This is about book 2 in a series. Book 1, Valhalla, can be found here.)
Not as good as I hoped, but it’s not like I can really say I’m disappointed.
Continue reading “Ragnarök is an imperfect, but interesting, follow-up to Valhalla”
I read this on the floor of a train station during a ten-hour train delay, finishing around 2am, and it was probably the perfect experience for this book. Strange, long, complicated, at times mysterious and frustrating, Only Ever Yours brought perfectly together Brave New World and 1984- but with a more direct commentary on feminism, the role of women in society, sexuality, and media. (While also having time to talk about racism, eating disorders, sex, sexism, social inoculation, brainwashing, and mental illness).
And listen, folks, I’m not a pretentious person. You won’t catch me dead giving a holler about women’s studies or queer theory. But Only Ever Yours is not some highbrow, academic commentary. It’s a solid story in an extreme dystopia, where the world has shaped the characters perfectly, and the reader never quite knows enough.
Continue reading “Only Ever Yours is an incredible modern, yet classical dystopia”
I love Libba bay. I want to put that out there. I loved Going Bovine, and when I was about 13, it was probably my most read and reread book. Beauty Queens, by her, sucks. Oh man. Oh boy. I used to just be lukewarm, but I’ve been seeing it float around on LGBT recommendation lists and on tumblr, so I want to officially clear the air: Don’t read this book.
Is there a lot of diversity, female friendship, gay stuff, ethnicity stuff, and feminism? Does the cover rock? Is the premise gold? Well, sure. But that doesn’t make up for everything else.
Continue reading “Beauty Queens: Diversity is good, but it doesn’t make a book”