This is my second foray into books about the fey, and even though Cruel Prince brought me a lot to complain about, it was for sure a lot more interesting and together than this was. While I’d say the book was good- specific flaws are hard- it felt like some things happened too quickly, others too slowly, and overall I just wasn’t that engaged.
Continue reading “Darkest Part of the Forest is solid, but unengaging”
Honestly, this was a good book that left me in a haze after finishing it, and I totally felt motivated to read it in one short sitting (which I did!) Hell knows the cast is full of complete assholes though, and I want to pummel all of them into the ground, especially the titular Prince Carden.
This is the only way Jude/Carden is an okay ship and if you don’t understand it, you are a better man than me.
Continue reading “I Would Like To Please Throttle The Entire Cast Of ‘The Cruel Prince’”
(This is about book 3 in a series. Book 1, Valhalla, can be found here. And Book 2, Ragnarök can be found here.)
Three stars is my go to for hard to place books. So, welcome Gu… Guðsríki… Welcome to book Hell.
I had a lot, lot of problems with this book. All of Ari’s ticks in the last books that I could overlook came back in full force, leading to a very long (and very negative review). Buckle in.
Continue reading “Guðsríki’s strengths cannot overcome its weaknesses”
(This is a review of a free ARC I got from the publisher. As you may guess, this did not impact or change my review or review process. These opinions are my honest own.)
I hate to leave a negative review, especially for a book I’d been excited for, especially for a book by a debut author, especially for a book from an indie press… but here we are.
This book was right up my wheelhouse- wait, scratch that, it was parked in my garage. Urban fantasy? Demons? Demon-human integration? (with promise of political-social implications of that?) Beauty and the Beast type romance? Soul selling? Gothic cyberpunk? Yes. Yes please. It was on my ‘to-read’ list before I’d gotten myself an ARC.
Continue reading “A Soul To Take has a great premise, but needs a rewrite (or two)”
I love Libba bay. I want to put that out there. I loved Going Bovine, and when I was about 13, it was probably my most read and reread book. Beauty Queens, by her, sucks. Oh man. Oh boy. I used to just be lukewarm, but I’ve been seeing it float around on LGBT recommendation lists and on tumblr, so I want to officially clear the air: Don’t read this book.
Is there a lot of diversity, female friendship, gay stuff, ethnicity stuff, and feminism? Does the cover rock? Is the premise gold? Well, sure. But that doesn’t make up for everything else.
Continue reading “Beauty Queens: Diversity is good, but it doesn’t make a book”
Valhalla is not for everyone. It’s action, for one, an overlong action film put onto the page. It’s a hyper violent romp through a complex future world with a murderous lesbian as the guide. Do I like it? The first book holds up well when reflecting on the rest of the series. What I ultimately have to conclude, however, is that it’s at least something very different. New.
It harkens back to the old days of action/sci-fi while still being a very modern book. And even though I say this, I can’t name any one thing I could compare it to.
Continue reading “Valhalla is, at the very least, something different”
The dystopia craze of the early 2010s brought forth an incredible wave of roughly the same plot line: an average white girl (often with brown hair, which she tends to tie back) finds she’s not so average after all, and then must contend with two love interests in a paper-thin world that just doesn’t understand her problems. Hunger Games was a good book series, but the vast majority that followed were not. Many felt like cash grabs towards the current hot genre.
Relic, by Heather Terrell, feels entirely constructed. Somehow I refuse to believe she put any soul into it, ever labored on the manuscript in dreams of one day publishing this dear pet project. To be frank, it is a disaster of a YA novel, so cliché it feels like clever satire. Described as Game of Thrones meets The Hunger Games, this book is neither of them.
Continue reading “Relic: The next big YA dystopia you’ve never heard of (because it flopped, hard)”