☆☆☆☆☆ (0 stars)
Look, middle book trilogy stump is a thing, and it was especially defined as a thing thanks to the trilogy era of YA, first seen in the paranormal romance boom. Book one, they meet… book three is the final battle… What is book two?
Well, this book two is sort of like a short story collection with an overlapping cast. There’s no plot arc or drive to this book at all, which is frankly astonishing. There’s at least eight chapters (a large chunk of the book) which are loosely connected time jumps where our main character, Anna, goes to another country/state for a purpose, achieves it, and leaves.
We’re operating on levels of sheer non-plot structure that would blow anyone’s mind.
Continue reading “Sweet Peril is not sweet and has no peril”
☆☆☆☆☆ (0 stars)
Ooowee!!! You have to imagine me making that sound as I think about this. I just finished this book, and this is all coming in hot. There’s a lot to say about this- the increasingly and incredibly Christian themes, the insane hypocritical nature of the horniness in this story, the sexism, the premise, whatever Kopano was, Kaiden’s participation in crimes against humanity….
Oh yeah. You thought this was a generic para-ro about a good girl falling for a bad boy and they’re both half-fallen-angels? You’re right! And then the next 60% of the book happen, because pacing and story structure is off the rails here. There ARE no rails on the coaster of Sweet Evil.
Let me be your conductor.
Continue reading “Sweet Evil is a chaotic, inexplicable mess”