Honestly, the experience of reading this book was so hair-pulling I needed to make something about it fun, and that’s how we ended up with this title. Halo is an angel para-ro book from 2010 that I’ve been avoiding for probably 10 years by now. It sounded boring, like it didn’t have a plot beyond a bland romance. And then I read it and it was boring, like it didn’t have a plot beyond a bland romance. There’s still some things worth discussing though- like the extremely conservative viewpoints being preached on every page (yes, it’s a Real Christian book), the sheer codependent controlling behavior of the boyfriend, and how bad Beth is at being an angel.
This is a book where the evil love interest takes over 200 pages to show up, acts not at all as a friend or temptation, plans to rape the main character, and then is sent to Hell. It’s a 500 page long book where that is the only conflict. It’s a very anti-goth story (I’m offended) with a character who goes through the same pages long internal crises every chapter. I hate this book.
Continue reading “Disastrously boring and disgracefully designed and positively pulsing with preachy pus”
I have a small confession to make: I went on vacation the day after finishing this book, and am only writing this review now. While I take a few notes, much of my reviewing is done on pure inertia, and in the last two weeks I’ve forgotten almost every detail of this book.
Rather than chide my memory, I’m going to make a point: Awaken is such a non-event I’m not confident there was anything for me to remember in the first place. Book three of a trilogy, it delivers on the typical era thoroughfare- a long fight at the end, happy ever after endings, obligatory promise of marriage and children- and contains little else. There’s a bit about a Greek god possessing a family line and how his give away is based on polo shirts, but that’s about it.
Continue reading “Awaken is like waking from one of those dreams you instantly forget”
After highly praising The Iron King, I knew I was setting myself up for a big comeuppance. After all, the Iron Fey IS a series from 2010-2011 (yes, the whole quartet came out within two years), and WAS quite cliche despite all the things I loved about book one. The ‘sequel series’, books five to seven, span 2013-2015, and the next book is due 2021. It’ll be interesting to see if/how the author evolves during the years and trends in YA, but the initial series of books is very dated to 2010. The Iron Daughter especially.
That’s not to say I hated this book at any point. It’s still notably engaging and of a better quality than the vast majority of books from this era, or really just books I’ve read. The side characters are fantastic and the world is a wild mish-mash of faerie mythos and lore that is extremely entertaining. Still, this books has to lose a bunch of points for the plot, and especially the romance. A lot less gets done in this book, and a lot more time is spent angsting over forbidden love and love triangles. It’s dumb and exhausting and takes up so much time.
While the book scurries over the normal ‘second book syndrome’, the useless romance, angst, lesser plot, and idiocy of the main character is exhausting enough on its own. At least Grimalkin is still perfect.
Continue reading “The Iron Daughter warrants a cold reception”
Call me the Queen of Fools, because I no longer despise Carden. After book one making me wish strangulation on the whole cast, and book two setting me in stone against the fae fool, I am ready to put on garish makeup and admit my wrongs.
Yes, you are hearing me correct: Carden is no longer a completely miserable excuse of garbage in the package of a generic YA love interest, and I liked him in this book, and I liked his relationship with Jude in a romantic sense. This admission weighs heavy on my soul after my many memes and posts on the matter, but rejoice! This change of tides can only mean a miracle is on its way. (And that miracle is that I will no longer be on the warpath to seek and personally destroy Carden Greenbriar).
Continue reading “Queen of Nothing review: I must sadly rescind my blood oath to murder Carden Greenbriar”
Back when I read The Fandom in February, I was genuinely surprised how engaging it was: a dark thriller based on fandom meta and dystopias. I was also intrigued to learn there would be a sequel at all. It feels very much like a one-off story- three friends who are brought into the world of a popular dystopian YA series which has become ‘real’ by the collective belief of the fandom around it, and how they must escape from the cruel reality of this once fictitious world.
At the end of The Fandom, Violet, Alice, and Katie awake from the week long coma they entered while they were transported to the world of The Gallows Dance, though Violet’s brother died in that world, trapping him in a coma. Violet and Alice have collaborated to write a sequel to The Gallows Dance- The Gallows Song- which was published by the publicity of their comic-con coma incident and Alice’s huge online following with her fanfic. Though none of the girls remember what actually happened while they were in their comas, they felt obliged to end the cycle of misery the world of the Gallows Dance was trapped in, writing a sequel full of hope and change- as well as writing Nate in as a new character.
However, trouble is coming to the living world of the Gallows Dance, allowing Violet to regain her memories. She also realizes that as Nate exists as a book character, he lives in the other world- and traveling back there might be her only chance to wake her brother from his year long coma. Especially now that their parents plan to turn off his life support in just a week.
Continue reading “The Fandom Rising completes an excellent duology you’ve been missing out on”
Okay. What. What do you think I can do, explain myself? Explain this?
NO! Of course not!
This gets 3 stars because 3 stars means nothing, and this book is not good or bad. It’s a favorite and I despise it. No, I did not finish it.
I’ve been trying to read house of leaves for a long time now. Since middle school- so we’re getting close to ten years of me trying to read this book. I have never once finished it. This time I got the further I ever had, which is still less than half.
This is the giant huge book (in size and page length) that haunts my nightmares and reality. It is a story about a dude who finds a scattered manuscript in the house of a dead man, and this manuscript is an academic collection about a documentary that doesn’t exist, and the documentary is about an endless empty labyrinth which appears in a suburban home one day. Everyone goes insane, there are many footnotes, and the formatting starts to include giant blocks of black ink, empty spaces, upside-down text, boxes in boxes, and more.
Continue reading “What? Am I supposed to seriously find a way to review House of Leaves?”
I’ve enjoyed Holly Black to pick up Tithe blind, and I have to say, it was puzzling at first. People swoon over Cruel Prince and Darkest Part, but Tithe and the other Modern Faerie Tales are the awkward teenager stage between those and her beginnings in children’s fiction. Tithe often feels like it was written by a teen who just realized they could do anything they wanted in a book- there’s a lot of swearing, smoking/drinking, and sexual content right off the bat. Still, there’s a lot of likable things in this book, and a lot of the time the grime felt authentic rather than needlessly dark.
What stood out to me most by the end, however, was that this book is pretty much the same book as Darkest Part Of The Forest, which Black published 13 years later. I read and reviewed Darkest a while ago, and found it fine but not too compelling. I liked Tithe more, and there’s enough differences I couldn’t call it self-plagiarism, but the many story elements and plot points are present in both.
Continue reading “Tithe is just the beta version of the rest of Holly Black’s novels”