One of the scariest things for me about reading books I enjoy is how little I have to say about them. The Iron Fey did not begin this way, but by book three I feel I’m running out of talking points. This is not a good or a bad thing, there’s simply not a lot to discuss, especially as there’s no real ‘developments’. The plot in these books moves exactly where you expect it to, with no real push or pull suggesting anything else. If I’d made a bullet list of what I expected to happen in this book, I’d have gotten every mark correct.
Still, there’s no denying these are also great books. Yes, predictability can be a curse, but it works for this series. It’s a popcorn book, a blockbuster event which lacks a certain substance but does nothing ‘wrong’. The world of wild fae mythos and original iron fey is fun, the monsters and ideas around them are fun, the action and battles and powers are… fun. This is a book where metal beetles march forward on the battlefield crewed by musketeer fey, where Puck throws balls of fur which turn into full size grizzly bears, and where, again, a fairly regular housecat is invulnerable to danger and every immortal being appears to owe him a minor debt.
These books do not need to be edgy, twisty, dark messes. They work just as they are- cliche romance bordered by great concepts, worlds, and creatures, where the ordinary teen ends up being queen and all the bad guys are vanquished forever.
Continue reading “The Iron Queen goes nowhere new and I’m okay with that”
After highly praising The Iron King, I knew I was setting myself up for a big comeuppance. After all, the Iron Fey IS a series from 2010-2011 (yes, the whole quartet came out within two years), and WAS quite cliche despite all the things I loved about book one. The ‘sequel series’, books five to seven, span 2013-2015, and the next book is due 2021. It’ll be interesting to see if/how the author evolves during the years and trends in YA, but the initial series of books is very dated to 2010. The Iron Daughter especially.
That’s not to say I hated this book at any point. It’s still notably engaging and of a better quality than the vast majority of books from this era, or really just books I’ve read. The side characters are fantastic and the world is a wild mish-mash of faerie mythos and lore that is extremely entertaining. Still, this books has to lose a bunch of points for the plot, and especially the romance. A lot less gets done in this book, and a lot more time is spent angsting over forbidden love and love triangles. It’s dumb and exhausting and takes up so much time.
While the book scurries over the normal ‘second book syndrome’, the useless romance, angst, lesser plot, and idiocy of the main character is exhausting enough on its own. At least Grimalkin is still perfect.
Continue reading “The Iron Daughter warrants a cold reception”
Call me the Queen of Fools, because I no longer despise Carden. After book one making me wish strangulation on the whole cast, and book two setting me in stone against the fae fool, I am ready to put on garish makeup and admit my wrongs.
Yes, you are hearing me correct: Carden is no longer a completely miserable excuse of garbage in the package of a generic YA love interest, and I liked him in this book, and I liked his relationship with Jude in a romantic sense. This admission weighs heavy on my soul after my many memes and posts on the matter, but rejoice! This change of tides can only mean a miracle is on its way. (And that miracle is that I will no longer be on the warpath to seek and personally destroy Carden Greenbriar).
Continue reading “Queen of Nothing review: I must sadly rescind my blood oath to murder Carden Greenbriar”
There’s only a mild chance this high rating is influenced by how many bad books I’d read before it.
I know I make outstanding threats against Carden Greenbriar and this is a provocative headline, but I am overall a Holly Black ‘fan’. However, reading The Iron King (book one of the Iron Fey series) was like a good punch of breath air. Specifically, it’s worth comparing this book to Tithe, Holly Black’s YA paranormal romance from the same era. Yes, The Iron King is very much a ‘regular girl turns out to be special and fey, finds feyroyal love interest, uses trickery and special-ness to avoid finale murder by someone supposedly invincible’ story. So is Tithe.
While I think there’s plenty of fun (and merit) in dissing YA tropes and cliches, it is also true those things became common for a reason. Where many other YA books from this era fail on the same ideas and plot beats, The Iron King succeeds smoothly: The love interest(s) are not toxic, the MC has a personality, the world-building is unique and original, and the writing is solid. I really enjoyed reading The Iron King, and I expect I’ll be reading the rest of the series. It’s fun, perfectly middle-ground YA with a lot of neat faeries and characters. The world needs more all powerful sarcastic cats.
Continue reading “To be honest, Holly Black’s Tithe wants what The Iron Fey has”
I’ve enjoyed Holly Black to pick up Tithe blind, and I have to say, it was puzzling at first. People swoon over Cruel Prince and Darkest Part, but Tithe and the other Modern Faerie Tales are the awkward teenager stage between those and her beginnings in children’s fiction. Tithe often feels like it was written by a teen who just realized they could do anything they wanted in a book- there’s a lot of swearing, smoking/drinking, and sexual content right off the bat. Still, there’s a lot of likable things in this book, and a lot of the time the grime felt authentic rather than needlessly dark.
What stood out to me most by the end, however, was that this book is pretty much the same book as Darkest Part Of The Forest, which Black published 13 years later. I read and reviewed Darkest a while ago, and found it fine but not too compelling. I liked Tithe more, and there’s enough differences I couldn’t call it self-plagiarism, but the many story elements and plot points are present in both.
Continue reading “Tithe is just the beta version of the rest of Holly Black’s novels”
First, collectively, we’re going to look at that cover. And sigh. It is so beautiful, and having it hardcover with gloss makes it even better. I adore illustrated book covers wholeheartedly, and this one is perfect. Gorgeous. Lovely. I want it on my wall.
Anyhow, fae are ‘in’ right now big-time, and this is a fae book. I’m becoming more sold on fae lore (playing an Eladrin in D&D is the main reason), but I still feel like a lot of YA books with fae in them really miss the mark- I’m thinking of throne of glass, a court of thorns and roses, and shadowhunters right now. Fae lore is wonderful, and most certainly they are more than pallid, too-pretty beings who wear nice clothes (and they certainly don’t have ‘mates’ and ‘mate bonds’. Sarah J. Maas, I will defeat you for writing that in two books).
This book gets it. The rituals, the rules, the bargains, trades, and oddness that fae lore deserves- with the beauty and glam. Even if a lot of that glam is just glamour (haha fairy jokes please clap). It also subverts a lot of tropes I hate in para-ro (the main girl being okay with being immortal and leaving her friends and family behind for a boy, for example). Oh, and it’s funny, and lush, and has a wonderful romance, and a tight plot too.
Continue reading “An Enchantment of Ravens enchanted me”
I read the Cruel Prince a few months ago and enjoyed it, even though I despised the main male love interest, Carden. It’s tricky to say I hate him, because this book series is about 50% sexual-tension-hatred, and my feelings for Carden are purely murder based. I can get into a lot of discourse about him and what he means as a YA romantic lead, but I’ll mostly try to review this book.
Who gave me this ARC? I didn’t even get an email, but I checked netgalley and it was just there. This is one of the books I’ve been most excited to read, so thanks.
Continue reading “As of ‘Wicked King’, the only character I’m interested in throttling is Carden”