There’s one thing to note before I shimmy down into this: The Modern Faerie Tales is a very bizarre trio of books. Yes, it goes Tithe, Valiant, then Ironside, but you do not need to read Valiant at all, and Tithe/Ironside are far more of a duology. At this point I don’t know if I’ll read Valient or not, hence me skipping it.
I suppose I should also note the irony of me declaring this a ‘good fae book’ when I read my first fae book in 2017 and… actually, all but one of the books I’ve read HAVE been by Holly Black. I’m no expert in the genre technically, but I have been doing reading and research since I am writing a book with fae in it, plus DND has exposed me to it… as well as my hatred for SJM’s fae. So I’m not well read, but I know what a good faerie portrayel should contain, and Ironside has finally hit that mark.
Continue reading “Ironside is, at last, the kind of fae book we need more of”
I’ve enjoyed Holly Black to pick up Tithe blind, and I have to say, it was puzzling at first. People swoon over Cruel Prince and Darkest Part, but Tithe and the other Modern Faerie Tales are the awkward teenager stage between those and her beginnings in children’s fiction. Tithe often feels like it was written by a teen who just realized they could do anything they wanted in a book- there’s a lot of swearing, smoking/drinking, and sexual content right off the bat. Still, there’s a lot of likable things in this book, and a lot of the time the grime felt authentic rather than needlessly dark.
What stood out to me most by the end, however, was that this book is pretty much the same book as Darkest Part Of The Forest, which Black published 13 years later. I read and reviewed Darkest a while ago, and found it fine but not too compelling. I liked Tithe more, and there’s enough differences I couldn’t call it self-plagiarism, but the many story elements and plot points are present in both.
Continue reading “Tithe is just the beta version of the rest of Holly Black’s novels”