Rapture actually has a lot of things going for it: lovely descriptions, vivid images of international locations, interesting angel lore, neat magical concepts, and a few raised and slightly discussed deeper themes. The problem is that all of these positives are beaten over the head with the fact this is book four, and the final book in a quartet, of an extremely uneven series.
The Fallen quartet is perhaps the most diverse series I’ve read in that every book is decidedly a different genre and story-type to the next, as if the author had a checklist of things she wanted to try and decided to use the same paper thin characters to act each one out.
So, while I enjoyed some aspects of this too-long book, it was always hampered down by the fact it was the last book, and thus needed to provide a conclusion and tie-in to the ones before it. The treasure hunt for ancient angelic relics to solve a mystery about the fall is a fine idea and easily could have been the plot of a different, better novel, which didn’t also have to weave in a whole ton of characters, revelations, and confusing reincarnation gimmicks in as well.
Continue reading “In a past life, maybe Rapture was an okay standalone novel”
Frankly, it’s unclear why this book exists.
The Fallen series is a quartet, slightly unusual for an era of para-ro trilogies. Typically this genre of book from the early 2010s has a very formulaic pattern: in book one they meet, fall in love, and learn the supernatural elements. In book two not much happens (this is the worst book of the series). Book three is some apocalyptic showdown event.
Maybe it’s good Fallen drove to break ties to that, offering seemingly an entirely different subgenre for each book: book 1 was incredibly boring romance, book 2 was fun adventure, book 3 is time travel, and book 4 is a fetch quest. Still, narrative wise, Passion does not need to exist. This is a book about time travel. Exclusively about time travel.
Ultimately, I can’t fault much concrete grit: the writing is fine, the settings are diverse and have been researched, there’s some degree of character and world building… but from a story arc point of view, this book could have easily been a chapter or two. It did not need to be over three hundred pages of, broader story speaking, nothing.
Continue reading “Can we go back in time and ensure Passion is never written?”
Even I’m scratching my head at this rating, folks. The second Fallen book is actually kind of decent. I enjoyed it. It made me want to keep reading the series, when I was sure I only picked it up to get lore missing from book one and put the story down forever. But no, I anticipate I’ll be reading the rest of the quartet now.
What did it? Well, this book took the good elements of the first book (few and far between, but: good friends, supernatural elements) and added a couple things really up my alley. For one, it takes place at a small school for nephilhim, who have only weak magical powers but still get weird lessons on biblical history and controlling shadows, all in preparation for the ‘end of days’. To avoid favoritism, the school is taught from a neutral point of view, with the two teachers being an awesome married couple of an angel/demon who never the less plan to fight to the death in the apocalypse. This is a really fun concept. It’s also nearly the exact set up of a book I wrote, Good Angel, so you know… it’s a concept I’m into.
Also, there’s a lot of deeper introspection from Luce, who starts to think about her relationship with Daniel and all the Unfortunate Implications that go with it. Especially that, since she’s reborn and dies every 17 years, she has a series of relatives and parents who are left grieving her. Daniel is essentially the world’s most specialized serial killer, and it’d good how she comes to resent and grow angry at the bad power structure they have.
Continue reading “Torment offers a glimpse of a far better series”
If you’re new to this blog, or need a reminder, I’m drawn to the following in books:
- YA from around the early 2010s at the height of the paranormal boom
- Bad YA (from around that era, quite often)
I’d actually, however, avoided picking up Fallen for a long time. It’s really, really easy to find in thrift shops and even libraries, and ticks all of the above boxes. However, I never grabbed it because… well, I’d already read it back in 2012. I hit it down as ‘DNF’ because it was boring. I think I got 100 pages in, but on reading the full thing here, I couldn’t tell you where I last stopped- the first 100 pages of this book is exactly the same as the next 350 pages, and it all blends together in a cacophony of bad.
I read it this time in two sittings while at work because I’m an adult now, but this is an extremely frustrating book to contend with. The supernatural revelation takes place 77% through the book, and even then the reader gets very few answers on anything that happened. This is a thick book of absolutely nothing but school life, and I wouldn’t even be able to parse some of the ‘lore’ and ‘story’ if not for the really bad movie made from this which somehow does a far better job delivering exposition.
Continue reading “Fallen is a puzzling, prime example of poor YA”
Is ‘horrifying’ the right word? I typed ‘horrible’ at first, but then… this book, and the series as a whole, is so absurdly bad it sounds fake. How else can I discuss a book with extreme christian themes and yet super horniness, where the bible saves the day, the love interest is a canonical child rapist, and panty-sniffing virginity-sensing demons are a key plot point?
There’s actually a fourth book, a companion to the trilogy from the viewpoint of the love interest, but right now I don’t have interest in reading it.
Continue reading “Sweet Reckoning means Sweet Release from me having to read this horrifying series”
☆☆☆☆☆ (0 stars)
Look, middle book trilogy stump is a thing, and it was especially defined as a thing thanks to the trilogy era of YA, first seen in the paranormal romance boom. Book one, they meet… book three is the final battle… What is book two?
Well, this book two is sort of like a short story collection with an overlapping cast. There’s no plot arc or drive to this book at all, which is frankly astonishing. There’s at least eight chapters (a large chunk of the book) which are loosely connected time jumps where our main character, Anna, goes to another country/state for a purpose, achieves it, and leaves.
We’re operating on levels of sheer non-plot structure that would blow anyone’s mind.
Continue reading “Sweet Peril is not sweet and has no peril”
☆☆☆☆☆ (0 stars)
Ooowee!!! You have to imagine me making that sound as I think about this. I just finished this book, and this is all coming in hot. There’s a lot to say about this- the increasingly and incredibly Christian themes, the insane hypocritical nature of the horniness in this story, the sexism, the premise, whatever Kopano was, Kaiden’s participation in crimes against humanity….
Oh yeah. You thought this was a generic para-ro about a good girl falling for a bad boy and they’re both half-fallen-angels? You’re right! And then the next 60% of the book happen, because pacing and story structure is off the rails here. There ARE no rails on the coaster of Sweet Evil.
Let me be your conductor.
Continue reading “Sweet Evil is a chaotic, inexplicable mess”